Skip to content
Urban Super Media

Soft Cell's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, a key member of the innovative 1980s synth-pop duo Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in 1984, and their debut album their initial full-length release is regarded as a classic of electronic music.

He later formed the innovative electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on Wednesday 22 October, just weeks after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Health Struggles

At that show, Ball performed in a wheelchair, as he had for the last two years, after a period of ill-health.

"I ended up damage myself significantly," he stated in 2023. "I fractured lower vertebrae in my spine and fractured about five ribs and fractured my wrist."

After catching pneumonia and developing sepsis, he was put in an medically-induced sleep and remained in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the warmer months, as he was developing a fresh record with Almond, called the upcoming Danceteria, which is set for publication next year.

"He was concentrated and very pleased with the new album that we actually finished only a short time ago," stated the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I find comfort from the knowledge that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an significant aspect of my life and for the music you gave me. I couldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is different from joining a band, the connection is incredibly close," he added.
"That's how it was with us. We went through so many remarkable, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in the city of Chester in 1959, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who changed his given name from his birth name to his adopted name, alongside his sibling his sister, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both studying art. Fuelled by a shared love of a music genre, they established Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The duo were an distinctive combination: Ball was the reserved technician, bent over his keyboard, while Almond was a flamboyant showman, all sparkle and makeup; but they achieved a unique creative synergy.

Ball had developed a interest with synthesizers after viewing Kraftwerk appear on BBC science show Tomorrow's World, and began to combine moody electronic sounds to the catchy tunes Almond was writing.

Tainted Love became the United Kingdom's second most popular single of the early 80s, selling millions of copies worldwide. Together with hits by other artists, contemporary bands and Ultravox, it helped cleared the path for the synth-pop sound of the 1980s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's passing

Career Highlights

Success had its benefits. "I enjoyed being able to purchase my initial property, having money and travelling, which might seem like a Miss World," Ball not long ago told with a music magazine.

But it also presented problems. "Newfound wealth allowed we could afford substances to relieve the boredom" of press appearances and television shows, Ball explained.

"I know that's a cliché, but it's a truism for a good reason, because it works for so many bands."

During the party-filled existence, the duo were also drifting apart, but they managed to create a second memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before dissolving the band to focus on other projects.

Almond proceeded to have a prosperous individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a long-lasting partnership.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, releasing the charting album Cruelty Without Beauty.

Following another hiatus, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on 30 September, that year.

However, they remained active, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently described the duo's new album as a tribute to the NYC nightlife they frequented while recording their initial records.

He added that his period in hospital had influenced the group's music.

"I had strange recollections when I was coming and going of hospital because I was on morphine," he explained to a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"In parallel, it's about the times me and Marc had in the 1980s."

The last versions were finished only a short time before Ball died. It is due for release in the spring of 2026.

AW
About the author

Ashley Woodard

Digital marketing strategist with 10+ years experience in SEO and content creation.

Urban Super Media

Type to search articles.